Harmony, the concept of Chinese art, life and civilization. The Yin/Yang theory, which unifies both opposing and complementary force, is creation given balance. It is also the discipline of the Chinese poster. In China, people are as aware of harmony as oxygen, evolution or gravity. It is the natural way to think and believe, as unquestionable as water to a fish. But, how about the people beside Chinese? If they just consider it as a symbol or icon. Is it reasonable?
Therefore, the major objective of this research is concerned with the communicative effectiveness in Yin/Yang theory of the Chinese poster in an international environment. In it, I will attempt to analyse Yin/Yang theory of the Chinese poster. Also, I will make it easily understandable, and for the benefit of an international audience, explain the meaning of the layout and graphic elements used in Chinese posters.
I am the Art / Design Educator and my purpose is to create a learning study community for promoting teacher professional development and student effective learning in a Postsecondary Professional Education
Works inspired by the migrant workers in Beijing, brought out the phenomenon of urban surrealism as a creative blueprint, thus inspiring the artist think about the rapid development of the city behind, brought out the city funny images. The artist hopes that the artwork will bring out the heavy spiritual cost paid by the migrant workers in the process of urban rapid development, and lead the audience to reflect on the surreal images brought by the rapid development of the city.
The artwork was inspired by the abandonment of “shared bicycles”, which led to the problem of rubbish in the country parks. The creators hope to use this artwork to let audience to rethink the environmental protection of the country parks in Hong Kong and to make some inspiring reflections on the disaster caused by the "shared bicycles". “共享單車”災難:作品靈感來自於廢棄“共享單車”,引發出郊野公園廢棄垃圾問題。創作者希望藉此作品,去引發觀眾重新思考愛謢香港郊野公園;以及對“共享單車”所帶出的災難,作一點點啟發性的反思。